Shrouds is an ongoing series of work which references a sort of photographic fatigue that emerged in response to our collective immersion in screens and images. The works are intended to register and constitute an elegiac form of the space between faith and evidence that is always being indexed by the photograph. The Shrouds begin as large scale photographs printed on mulberry paper, which are folded up to obscure and hide the source image inside. The folding enacts a hidden logic, sequence and structure, which are all working to reverse the process of the photographic image, taking us to that moment in which the image is still constructing itself, and before it’s been transmitted.
